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Are We Criminals?

by Family Vacation

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1.
I’ve got friends with swimming pools And when they’re on Vacation or away at school Then I’ll take a swim if their mom’s not home And if their brother’s cool Though he told me once he listens to Tool Later on in an unmade bed I said I lost my wallet she’s like “of course you did” She didn’t seem all that disappointed then And even less so than If we had the chance to do it In the morning in a half made bed I asked her what’s for breakfast, said she’s making eggs But there’s a Waffle House a couple blocks away And I should get there soon To be the damning Sunday tunes
2.
3.
Every Song 03:14
All I heard is “son you’re fucked from the start” All I heard is that it’s just one part of me Most happy ends stem impossible means How do you love music if you don’t like the Clean? A guardian at my door Is all I’m asking for ‘cause I’m constantly bored When every song’s a chore I drew a ghost climbing out of the ground It had a meaning once before you left town I washed the dishes and I washed the car I called it phone and you called it art
4.
I never knew Which side to choose We’re all just constructs Would Dad approve? Well South Hill is getting fat But he likes Pavement and I like that too Pensacola Or Miami Clearwater Beach Anywhere with palm trees Family Vacation’s loose He’s a manifestation of you If they both knew I had to choose FV would be alright But South Hill don’t like to lose South Hill is a black cloud kid He writes his fate and he runs with it
5.
Drinking coffee ‘round a living room table I think I know this band I’ve heard of their label They’ve got that sound I like I wonder if they’re tight live I’m flipping through a Chicago museum catalog Whatcha got tonight whatcha got going on Let’s catch a train downtown Walk around, fool around tonight Surfing the internet I’m searching for meaning Nihilistic album titles stretch my laptop screen You scratch my back that’s nice I know that there’s a price on that Drinking whiskey ‘round a living room table They said “we like your sound but we’re not the right label Just keep the music tight But we can’t put a price on that” Who is South Hill and whose he belong to Who is South Hill and what’s he mean to you? An alien, an alias or a part of you Sweet girl Says she ain’t got that mind so lose it My girl Says she ain’t got the time to prove it Some girls Drive from Rockland to State to do it My girl Swears on something divine she knew it
6.
Today was not like other days I know this much There are some crimes that must be done I didn’t ask for this I spent my commission on a pastel Jesus and wine I wrote my alibi Then tossed it instantly Some inconsistent lines about staying inside And watching Thrones reruns But what did I expect I was rolling dice? Are we criminals? ‘cause I’ve been thinking if you let me off I would be back soon In a different guise don’t be surprised I’ll see you on the other side
7.
Bad Fruit 02:16
Inevitably I lost my footing and fell from Heaven Actually I’m a spectator but I witnessed nothing So what’s new? You’re looking around like someone’s watching you Oh you Your paranoid thoughts have finally become true Now think through The evidence left at South Hill Station So what to do? But leave our towns for a Family Vacation Accidentally I killed the silence with a neurotic laughter Coincidentally A perfect suicide is one that nobody dies from So it goes For I am Mammon accepting my new Hell Oh well I’m afraid of death now since chewing on bad fruit
8.
All this For a better look at that trick For a hairy face and chapstick I never said that it was mine Oh my These lines For redemption and a surprised I could see it glow in your eyes I’m not trying to decide Oh my Oh my Your hits Are good for nothing but a fat lip She likes guitars just not electric A life defined by one Tragic night Goodbye To late mornings and to night drives To the silent cry in your eyes I never wanted to decline Oh my Oh my
9.
Reverie 01:24
10.
Moments of confidence Eclipsed by signs of abandonment I lost my head on 65 Couldn’t convince me that I felt alive I dressed in someone else’s skin Fuck if I know where it’s been Now I exist on Foreign Shapes I’m desperate to reciprocate So I sell Morley cigarettes For retail value nothing less I’ll recognize my Human Form If they forgive my mom for when I was born I’d never felt more exposed Than when she whispered that she knows She sees the inconsistencies From what I say to what I believe But there’s no translucent lining And everything I’ve said’s binding “I found a technicality” The defense begs desperately I know the sixth amendment So quit pretending Give me the witness in question And I’ll destroy him I know the sixth commandment This is my trial damn It’s not your God reprimanded And don’t speak for him Due to popular demand I’ve begun My 44th hour without sun
11.
In My Bed 02:12
I’m in my bed Asking questions They’re in my head Where South Hill Station Was left for dead When those kids go out on the run Tell their dads they’ve lost their sons To a slogan in a cape ‘Guised as something they can’t hate The things you said About expectations I went to bed With no translations When I answer for what I’ve done There’ll be no man with a badge nor gun Just an old friend shaking me awake With a blinding phone shoved in my face
12.
It’s just like a film where the twelve come back stoic They stare at their feet they won’t meet my eyes I know it Indicates that the decision Is adverse to my position Nineteen more years in this prison For a crime I didn’t commit although It wasn’t from a lack of trying to
13.
Human Form I 01:48
I was thinking If all eyes are on Then I’m wasting What’s already gone So bring on My Human Form The same skin to which I was born Not an amorphous Sweet Tenant in a blouse Nor a Hill South What was that about?

credits

released May 26, 2017

Music and lyrics by Jacob Chatfield.
Vocals on track five by Max Niemann.
Vocals on tracks two, four, and seven by Kayla Mickelsen.
Additional guitars by Max Niemann and Bobby Crandell.
Additional guitar on track thirteen by Jason Omo-Osagie.
Additional percussion by Bobby Crandell.
Special thanks to warm milk and Gaywitch Records

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